WORK

DNEG / DIMENSION STUDIO

May 2019 - December 2024

NENT / VIAPLAY

February 2018 - May 2019

RUSHES

March 2017 - December 2017

The kick-starter of my career. Where I gained insight into the industry and got my first taste of the action working on Altered Carbon season 1. Vast on-the-job training and working closely with seniors, I quickly proved my skills and was given more challenging projects. This included working on my own shots for Altered Carbon, and creating visuals and animations for commercial projects such as Charlotte Tilbury and Nesquik.

THE GARFIELD MOVIE

BADE MIYAN CHOTE MIYAN

NO WAY UP

SPY KIDS ARMAGEDDON

GRAN TURISMO

SILO

CITADEL

EXTRAPOLATIONS

MOONSHOT

FIREWORKS

RON'S GONE WRONG

THE GUILTY

FOUNDATION

FAST & FURIOUS 9

INFINITE

DOCTOR WHO

FAST & FURIOUS: HOBBS & SHAW

ALTERED CARBON

OMEGA

LUPIN FILM

VIASAT

VIAPLAY

NESQUIK

CHARLOTTE TILBURY

The Nordic region's leading entertainment provider. I designed elements for advertising, marketing, branding, promos and idents across multiple platforms involving sport, news and entertainment. I was a lead designer/animator on a huge rebranding project at the time for their satellite platform VIASAT, where I created a whole new range of assets to use across print, TV, online and social media. For VIAPLAY, I created bespoke visuals for promos but I also helped streamline production by creating multiple motion graphics templates for Premiere Pro, then editors could complete frequent tasks themselves which freed up the designers for bigger projects.

Years at this VFX powerhouse is where my skills fully developed. Working across multiple movies, TV shows and branding projects, while maintaining high quality with a tight deadline. I became a highly dependable and versatile asset, working on anything from blockbuster films to pitch presentations and everything in between. Transitioning into a more senior role, I organised training resources for a section of the team, and helped some of the more junior designers develop their skills. This involved creating briefs for them, and having regular meetings for demonstrations and feedback sessions. With DNEG 360 (a partnership between DNEG and Dimension Studio) I branched out into virtual production projects, creating visuals for virtual worlds and for use on their volume stage. With Dimension Studio I got the chance to take lead on a some projects which has really expanded my creative thinking.